The film reached a very high level not only in its picture composition but also in its confirmation system between the music and the camera lenses. Obviously, this was also a film with a story you could not explain clearly to others, just like those films made by Tarkovsky. Yuri Norstein, another representative director of the Russian poetic films who lived in the same period with Tarkovsky, created several animated films as important as those poetic films Tarkovsky made in the animated film field. This 27-minute long film ldquo;Tale of Talesrdquo; which was finished in 1979 was considered as the greatest animated film ever launched.
ldquo;Tale of Talesrdquo; contained several animation skills, such as animation, paper-cut and brushwork on transparent media. It also showed the ldquo;immobile beauty of autumn leavesrdquo; by using multi-floor shooting stage. The poetic image atmosphere created by non-linear narrative structure and cutting of jump shots with inner poetic significations was completely different from current mainstream animated films.
However, you could also see the image style of Tarkovsky through its obscure picture color and the symbolic visual impression highly emblemed. The repeated introductions and confirmations of a series of images, such as the small gray wolf, the sucking baby, the solitary trees, the falling leaves, the abandoned cars, the Picasso-style cows, the Pushkin-style characters, the big fish floating in the wind, the trains, the street lights, the bright lights inside houses,marc jacobs wiki the dancing crowd, the killed notice, the boy eating apple on the branch of the tree, and the alcoholic father, provided audiences a multi-sensory space on both visual and auditory fields with its amazing accompanying melodies.
Yuri Norstein cared about the creation of quot;visual memoryquot; in his films. Such ldquo;visual memoryrdquo; came from images he personally remembered. When he talked about his ldquo;visual memoryrdquo;, he mentioned the relationship between the quot;languagequot; and the quot;imagequot;.
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